Thoughts on "The King of Kong"

After months of trying, I was finally able to cat The King of Kong: A Fistful of Quarters on G4 last night. For those who haven't had a chance to see it, the movie is a great telling of the competition between Donkey Kong champ Billy Mitchell and unknown challenger Steve Wiebe. Wiebe, who plays religiously on the machine in his garage, manages to significantly beat Mitchell's two decade-old high score. He sends the tape in to Twin Galaxies, the official score keeper of video games, and has his score rejected because it was videotaped and not submitted in public. Twin Galaxies then goes on to accept a tape of Mitchell's after Wiebe beats his score in person at the New Hampshire arcade Funstop.

Although Twin Galaxies apologizes later on for its treatment of Wiebe and allows him to submit tapes in the future, the bias towards Mitchell is apparent from the get-go. While two referees are dispatched to Wiebe's Seattle home and proceed to dismantle his machine to see if the board had been tampered with (all while Wiebe isn't even home, mind you), no one questions Mitchell's taped run, which suffers from a mysterious flickering on the left side of the screen, conveniently covering his score just long enough for it to change.

Now that I've seen the movie, two things stand out to me. First off, Billy Mitchell comes off as an arrogant ass. He has amazing skill (he retook the Donkey Kong high score from Weibe a year after the movie was filmed and still holds it) and is undoubtedly the best professional gamer in history. However, Mitchell's skill is almost overshadowed by his attitude, and no matter how often he pleads his case in the movie - and it's a lot - you just don't want to take his side. Is this the real Billy Mitchell, or has he been unfairly portrayed? Other interviews with him that I've seen seem to point to the former.

Here's the best example. Numerous times during the film, Mitchell is interviewed and explains how the only way to prove someone is the best at a game is by playing in person. He makes several mentions about how only those who play in public can prove their skill and rightfully take their spot at the top of the mountain. On various occasions, Mitchell makes his position known, saying things like "To me, most important is to travel to a sanctioned location, like Funspot, that makes it official; if tomorrow Tiger Woods golfs a 59, big deal. If he does it at Augusta, that's where it counts."

The problem is that Mitchell is given three different chances to play against Wiebe head-to-head during the movie but always declines. When Wiebe defeats his score at Funstop, Mitchell already has a tape with a higher score en route to Twin Galaxies, which accepts it without question. For someone who is so sure of himself and thinks so little of Wiebe, he seemed awfully eager to keep from playing him head-on. Why not compete and shut everyone up once and for all? Mitchell eventually does put his money where his mouth is, but it's an entire year after the events in King of Kong, and while in public, it receives nowhere near the amount of buzz the movie did. Decidedly low key for someone who loves the spotlight as much as Mitchell does.

Second, I'm not entirely confident that Twin Galaxies was being fair here. Founder Walter Day has disputed the movie's portrayal of the situation, and he claims that Mitchell and Wiebe were on much friendlier terms than the film suggests. He also argues that he was never as biased against Wiebe as he's made out to be. Whether or not this is true, the fact that Day accepted Mitchell's video tape after disqualifying Wiebe's is controversial, to say the least. The board that Wiebe used to beat Mitchell's 1982 Donkey Kong score was provided by Roy Shildt, a longtime nemesis of Mitchell's, but it was never conclusively proven in the movie that it had been tampered with. You'd expect Twin Galaxies to at least treat Mitchell's low quality and questionable video tape with the same scrutiny as it had Wiebe's. It's only fair. I won't condemn Day and his organization, as he obviously tries to make amends with Wiebe during the film. I do think, though, that an organization that considers itself to be "official" shouldn't play favorites or consider anyone to be a "golden boy."

Overall, King of Kong is a great look into the world of professional video gaming, and anyone who is a fan of the industry should see it. The sense of competition between Mitchell and Wiebe is awesome, and now I have an almost instinctive urge to migrate to New Hampshire and play at Funspot. It's the place to go for this type of competition, and having now seen the movie, I can't help but wonder how many other neat little places like this there are around the country.

Personally, I love things like King of Kong, especially when they deal with the Golden Age of gaming and all those great titles from the early '80s. This movie is a treat for all retro gaming fans and should be in their DVD collections.

Welcome Back Dr. Jones

It's finally here. After almost two decades of anticipation, we finally got a new Indiana Jones movie. As a major fan (who isn't?), I've spent years hoping that this would happen, and it was almost surreal to see that it's finally a reality. After it all sank in though, and the initial euphoria wore off, I began to wonder if Phantom Menace Syndrome (PMS) would strike this sequel as well. In my case, I have a clean bill of health, but unfortunately for some people, it seems it has.

For those not in the know, PMS is a condition where the victim spends years, perhaps even decades building up their expectations of what the next installment of their favorite movie series will be like, until they reach a level so unattainable that nothing possibly put to print could ever satisfy them. The syndrome gets its name from the insane amount of anticipation and hype generated for the first new Star Wars film in over two decades, a film which while bad, could never have sated the hunger for that mind-shattering, wet pants-inducing experience the audience had been waiting so long for, no matter how good it was.

See, PMS is vicious in that it attacks the part of the mind that deals with nostalgia and all those warm and fuzzy memories of days gone by. Recent victims of the disease include Transformers and Live Free or Die Hard. Neither lived up to what a lot of people wanted, even though they were both solid films. They say you can't go home again, and this seems to ring most true when it comes to childhood memories.

I do like the term "Phantom Menace Syndrome" though. I like it because its initials are the same as that other condition that induces unwarranted bitchiness and anger. In fact, I like the term so much that I'm going to trademark it.

Phantom Menace Syndrome™

There. Feel free to use it if you like, but please be sure to credit the author!

I guess you could say that I had mixed emotions going into the fourth chapter of the Indiana Jones saga. The build up and electricity this movie has generated is more than enough to make even the most fervent fan a little nervous about its quality. Still, I always wanted another chance to see one of these films on the big screen, so off I went. After finally pushing my way through massive theater lines and sitting through the worst selection of trailers one could imagine being tied to such a major release, I was finally able to partake in Indiana Jones & the Kingdom of the Crystal Skull. Quite a long title, to be sure, and I was apprehensive that it was symbolic of what this movie was doing: needlessly stretching things out.

I've heard a lot of people talk about how this film wasn't needed, and that the title of The Last Crusade referred to the curtain being drawn on the major film use of the Jones character, as well as the hunt for the Holy Grail (despite Ford, Lucas, and Spielberg saying the opposite for years after the third film was released). They say Kingdom shouldn't have been made, and that the famous trio should have left well enough alone. Needless to say, it got my mind working as I stood in line for my ticket. Almost twenty years had passed since Last Crusade, and as someone who grew up with Indy, would this new movie stomp all over my childhood memories? Was I making a mistake? Would my image of the character be shattered if this film stunk? By then, it was too late. I was already approaching the box office window.
Two hours later I emerged from the theater a relieved man, but let me say this straight off. Kingdom isn't as good as Raiders of the Lost Ark or The Last Crusade, though I'd put it about on the same level as Temple of Doom. Now, some people hate Temple, but that's their loss. I like it a lot and consider it a nice change of pace from the "stop the Nazis from taking yet another supernatural artifact" storyline of the other two films. Kingdom, with its extra terrestrial-centered plot, fits in there nicely, and it serves as a fitting bookend to Indy's film and TV adventures.

And perhaps the term "bookend" is the best way to describe this movie. Sure, it didn't have to be made, but it's nice that it was. I loved the way they tied it in to the other installments, giving it its proper place in the Indy timeline. All the films offer a year at the beginning, but none of them affect the others chronologically. Kingdom changes this by obviously connecting itself into Raiders of the Lost Ark by re-introducing Marion Ravenwood, Indy's old flame and the daughter of his mentor. Abner. However, it goes further into the other parts of the Indy mythos by explaining why Sir Sean Connery and Denholm Elliot aren't present, as well linking itself to the Young Indiana Chronicles by referencing the episode Curse of the Jackal and Indy's adventure with Pancho Villa. It was a nice touch, and it helps bring the old man's life full circle. Furthermore, it sets up Mutt Williams (Shai LeBeouf's character) for future adventures. For example, when Mutt asks Indy how old he was when he rode with Villa, the old archeologist replies "about your age." Very cool.

Characterization aside, many people have expressed disappointment with the acting in the film. In this regard, I'm forced to agree. Ford doesn't seem to be on his best day, which is odd considering how eager he'd always said he was to get another shot at playing Indy. Karen Allen is pretty rusty as well, and LeBeouf is the only one who comes across as generally sincere. The others seem to just be going through the motions most of the time. That's not to say that vintage Indy doesn't rear his head. He does and quite well at that. The warehouse scene is great, albeit too short, and Ford looks and moves incredibly well for a man who's just reached Social Security age.
That has to be my only gripe with the movie, aside from a Tarzan-like vine-swinging display from Williams in Peru. I liked the special effects - a hallmark of the series - and never found the use of CG to be excessive, though I'm sure that there are those out there who cringe every time it's used. For them, I have no pity, as they walked into a LucasFilm product knowing full well what to expect. It seems that they need to touch the hot stove with each and every one of his movies before they realize the burn danger is real. The fact that just about every action and adventure movie today uses CG means that its detractors have a dwindling amount of options for their viewing pleasures. Get used to it folks, CG is here to stay.

I'm thankful to say that PMS didn't afflict me, and I'm feeling fine in regards to the condition of the elderly Dr. Jones. I liked the plot. I liked old Indy. I liked Mutt Williams. Dare I say I'd be eager to see him wear the Fedora and continue in Ford's footsteps? Yes, yes I would.